This week I visited the Bodleian Library’s current exhibition Love and Devotion: From Persia and Beyond, which is dedicated to illuminated manuscripts from the Persian tradition combining poetry and images. The exhibition is the perfect size for this kind of material: small enough to allow one to spend time looking closely at each object, but just big enough to leave one feeling satisfied and better informed.
Some beautiful manuscripts are on display, and the exhibition shares some wonderful stories perhaps less well-known in the Western world, such as the love stories of Layla and Majnun, Khusraw and Shirin, and Yusuf and Zulaykha. My previous post on Persian illuminations at the Chester Beatty Library features illustrations of some of these characters. I was also particularly interested to see a frontispiece signed by the master illuminator and calligrapher Ruzbihan, as whilst at the Chester Beatty Library the conservation studio spent a lot of time conserving a Qur’an signed by him. Ruzbihan came from a family of well-renowned artists and calligraphers, and as well as their skills in book arts they were also responsible for the design of various calligraphic inscriptions on buildings across Shiraz. It was said that artistic competitors of the family were “mere eaters of crumbs from their table”.
The team I worked with at the Chester Beatty are keen to continue research into the Ruzbihan Qur’an, so perhaps in the future I will have more of interest to post here. In the meantime, here is a poster I displayed recently at the Institute of Conservation’s triennial conference, which details a little about the ongoing treatment and research into this beautiful manuscript and the workshop that produced it.
The exhibition at the Bodleian finishes this weekend (April 28th), so please rush to visit it! It is also worth pointing out that their online information about the exhibition is extensive and includes high quality images, as well as a very useful interactive map and timeline.